영어 모의고사 (자동 편성)

When Suji transferred to a new school in March, she ①knew no one in her class and felt lonely during lunch and breaks. Her homeroom teacher suggested ②joining a club to make friends more easily. Suji signed up for the photography club, though she had never taken photography seriously before. At the first meeting, older members taught her how ③to adjusting a camera and find a good angle. Because everyone shared photos and gave friendly feedback each week, Suji gradually felt more comfortable with the other members. One rainy afternoon, a fellow member, Hana, ④invited her to photograph the flooded schoolyard together. They laughed while trying to keep their cameras dry, and that moment grew into a real friendship. By the end of the semester, Suji had a small group of friends ⑤who understood her sense of humor.

A navigation app calculating a route rarely relies on distance alone; instead, it constantly weighs real-time traffic reports, past congestion patterns for that time of day, and even data from other drivers' phones ①currently on the road. This flood of information allows the app ②to reroute a driver away from a sudden accident within seconds, often before the driver has any idea the accident ③occurring at all. The convenience comes at a cost that few passengers consider, however. When thousands of drivers are simultaneously ④redirected onto the same shortcut, that quiet side street can quickly become as congested as the highway it was meant to help travelers avoid. Residents of these once-quiet neighborhoods have increasingly complained about the sudden surge of unfamiliar traffic, ⑤arguing that an algorithm optimizing for individual convenience can end up creating a new problem.

Conventional industrial zones typically operate as ①isolated facilities, each purchasing raw materials independently and disposing of waste without regard for neighboring plants, even when one factory's discarded byproduct could serve as ②valuable input for another. An eco-industrial park reorganizes this arrangement by clustering diverse companies within a single area and encouraging them to exchange materials, energy, and water through a practice known as industrial symbiosis. A power plant's ③surplus heat, for example, might be piped to a nearby greenhouse, while a food processing facility's organic waste could be converted into biogas that powers another factory's equipment. Such exchanges require companies to coordinate schedules and share information they might otherwise regard as ④proprietary, a level of cooperation rarely achieved without deliberate institutional support. Local governments therefore often play a coordinating role, mapping which industries could exchange resources and providing incentives for companies willing to participate. Consequently, eco-industrial parks have come to be seen as a model capable of ⑤increasing both waste disposal costs and raw material expenses simultaneously.

Before a single line of dialogue is written for many animated shows, a character designer has already spent weeks deciding how that character should look, move, and be recognized at a glance. A visiting illustrator who spoke at our school explained that a truly successful design should be ①identifiable even as a plain black silhouette, since audiences often ②ignore a character's outline before they notice any facial detail. She showed us early sketches of a now-famous cartoon hero, in which the same personality had been tested through dozens of different body shapes, from short and round to tall and angular, before the final version was ③chosen. Small choices, she added, carry surprising weight: rounded shapes tend to feel friendly and safe, while sharp angles suggest ④danger or power, even to viewers who have never studied design. I left the talk realizing that a character's personality is communicated through its silhouette long before it ever speaks a single ⑤word.

A food allergy can turn an ordinary snack shared between classmates into a medical ①emergency within minutes, which is why schools now take ingredient labels more seriously than they once did. For someone with a severe allergy, even a trace amount of the wrong ingredient, transferred by a shared spoon or an unwashed hand, can trigger a reaction that closes the airway and becomes ②life-threatening if untreated. Friends of allergic students sometimes assume that a small bite would not cause serious harm, not realizing that the amount needed to trigger anaphylaxis can be ③larger than a crumb. Recognizing the early signs, such as swelling around the lips, hives, or sudden difficulty breathing, allows classmates and teachers to act before the reaction becomes ④severe. Many schools now train staff to use an epinephrine auto-injector, a device that can ⑤reverse a dangerous reaction within seconds.

Emergency room doctors note that scooter-related head injuries have risen sharply in recent years, closely tracking the rise in scooter popularity itself. _______________. A fall at that speed, onto pavement rather than grass, can cause a head injury just as severe as one from a bicycle or a small motorcycle.

Consider a large heap containing ten thousand grains of sand. Nearly everyone agrees that removing a single grain from such a heap leaves another heap behind; surely one grain could never make the difference between a heap and a non-heap. Yet if this principle is applied repeatedly, grain by grain, the heap eventually shrinks to a single lonely grain, or even to no grains at all, and logic alone seems to force us to accept that this final result still counts as a heap. Something has clearly gone wrong along the way, since no reasonable person would call one grain of sand a heap, but pinpointing exactly which single removal transformed a heap into a non-heap seems impossible. The puzzle exposes a deep discomfort with vague terms like "heap," "tall," or "bald," concepts that seem to admit no sharp boundary yet are used confidently in everyday language. Some philosophers conclude that _______________.

For many students, the walk to school feels so routine that safety becomes an afterthought, yet a surprising number of accidents occur within a few blocks of the school gate. (A) Wearing dark clothing during these hours can make a student almost invisible until a car is dangerously close. (B) This shortcut becomes especially risky during the darker months, when a driver's ability to spot a pedestrian drops sharply well before sunrise or after sunset. (C) Part of the danger comes from convenience: students often cut across a busy street rather than walking the extra minute to the nearest crosswalk, assuming they can judge the traffic gap correctly.

Our photography club meets every Thursday, and our advisor always repeats the same instruction before we leave campus: put the camera down for the first ten minutes and simply look around. (A) Over time, though, I noticed that the members who followed her advice most closely tended to bring back the most interesting photographs, waiting for a specific moment rather than rushing to snap the first thing they saw. (B) A camera, our advisor explained, cannot teach a person what is worth noticing; it can only record what the photographer has already decided matters. (C) At first this rule frustrated me, since I had joined the club specifically to take pictures, not to stand around empty-handed.

Not everyone in the neighborhood, however, shared that reaction. Walking through the old industrial district downtown, I noticed that a gray concrete wall had been transformed overnight into a wild swirl of color, letters, and cartoon figures. ( ① ) Some residents complained to the city office, calling it vandalism and demanding that workers paint over it immediately. ( ② ) Others argued that the same wall had been an ugly, forgotten eyesore for years, and that the graffiti artist had simply given it a voice no one else bothered to give it. ( ③ ) This disagreement reveals a tension at the heart of street art: without permission, even a skillful and thoughtful piece can be labeled a crime, yet many cities now invite graffiti artists to paint designated walls legally, hoping to channel that same creative energy into something the whole neighborhood can enjoy. ( ④ ) The line between vandalism and art, it seems, often depends less on the paint itself than on who gave permission to use the wall. ( ⑤ )