영어 모의고사 (자동 편성)

On the first day of our improv theater workshop, the instructor ①gave us a rule that seemed impossible to follow: never say no to whatever another performer suggests. If a scene partner claimed the empty classroom was actually a submarine, our job was ②to accept that fact instantly and build on it, rather than correcting or rejecting the idea. I found this terrifying at first, since improv offers no script to hide behind and no time ③to plan a clever line in advance. Over several weeks, though, I noticed that the students who worried most about saying something wrong were usually the ones who froze on stage, while those who simply accepted whatever happened and reacted honestly ④creating the funniest, most memorable scenes. The instructor explained that improv is not really about being naturally quick-witted, but about ⑤trusting a partner's idea enough to build on it rather than protecting your own.

For instance, the number one usually stands for ①clear plastic bottles, while the number five represents thicker containers like yogurt cups. Without checking the label, you might buy something ②unhealthy by mistake. Likewise, throwing plastic away without checking its mark can send a ③disposable item straight to a landfill. Therefore, taking a few seconds to check the mark before throwing something away makes recycling far more ④effective for everyone ⑤involved.

Have you ever thrown away an old pair of jeans simply because they no longer fit? Instead of discarding them, many people now turn old items into something ①old and useful. This creative process, called upcycling, transforms unwanted objects into products with ②greater value than before. For example, a worn pair of jeans can be cut and sewn into a ③sturdy bag or a small pouch. Old wooden pallets, once used for shipping, are often rebuilt into ④simple furniture such as tables and shelves. However, upcycling differs from ordinary recycling, which usually breaks materials down before making something new. In upcycling, the original material keeps most of its form while gaining a fresh purpose. Therefore, choosing to upcycle rather than throw items away can reduce waste ⑤significantly.

On a summer evening, downtown streets often feel ①noticeably hotter than nearby parks or suburban neighborhoods, even after the sun has set. This phenomenon, known as the urban heat island effect, occurs when cities ②retain more heat than surrounding rural areas because of their dense concentration of asphalt, concrete, and buildings. Unlike soil or vegetation, which absorb and release heat ③instantly, these man-made surfaces absorb sunlight during the day and slowly radiate it back at night, preventing temperatures from cooling. Tall buildings packed closely together also block wind, trapping warm air within narrow streets. In contrast, areas with ④abundant trees and open water naturally stay cooler, since plants release moisture that helps lower surrounding temperatures. To reduce this effect, many cities have begun installing rooftop gardens and ⑤expanding public parks, hoping that additional greenery will absorb less heat than pavement does.

Imagine a brilliant scientist named Mary who has spent her entire life inside a black-and-white room, learning everything physical science could ever teach about color, including the exact wavelengths of light and the precise neural processes triggered when a person sees red. Despite this ①complete physical knowledge, Mary herself has never actually seen a color; every book, screen, and object in her world has been carefully restricted to shades of gray. Suppose that one day Mary is finally released from the room and shown a ripe red tomato for the first time. Philosopher Frank Jackson argued that Mary would learn something entirely ②new at that moment, namely what it actually feels like to see red, even though she already possessed every physical fact about color there was to know beforehand. If Mary genuinely gains new knowledge upon leaving the room, then physical facts alone ③cannot capture everything there is to know about conscious experience, ④confirming that something was indeed missing from her exhaustive scientific education all along, a conclusion that some physicalists find entirely ⑤unsurprising.

Dear members of the Debate Club, I am writing to let you know that our regular meeting time has been changed. We usually meet in Room 304 every Wednesday after school, but _______________. Instead, our meeting will be held in the library on Thursday at the same time. Please bring the debate topic that you prepared last week, since we will practice our arguments together. If you cannot attend the new meeting time, please reply to this email by Tuesday evening. We also need two volunteers to arrange the chairs and tables before the meeting begins. Mr. Park, our club advisor, will join us this time to give feedback on our speaking skills. Thank you for your understanding, and I look forward to seeing everyone on Thursday.

Walking through the old industrial district downtown, I noticed that a gray concrete wall had been transformed overnight into a wild swirl of color, letters, and cartoon figures. Some residents complained to the city office, calling it vandalism and demanding that workers paint over it immediately. Others argued that the same wall had been an ugly, forgotten eyesore for years, and that the graffiti artist had simply given it a voice no one else bothered to give it. This disagreement reveals a tension at the heart of street art: _______________. The line between vandalism and art, it seems, often depends less on the paint itself than on who gave permission to use the wall.

Psychologists point to three main reasons why new year's resolutions often fail within a few days. (A) Second, many resolutions are unrealistic from the start, since people set goals that are far too difficult to reach in a short time. (B) First, willpower works like a muscle that becomes tired after being used too much, so people run out of self-control quickly. (C) Third, most resolutions do not offer any immediate reward, which makes it hard to stay motivated without seeing fast results.

Getting the structure right at this early stage, she said, matters more than any single beautifully drawn panel. When I finally got the chance to interview a professional webtoon artist for our school newspaper, I expected her to describe drawing as the hardest part of her job. ( ① ) Instead, she told me that writing the story comes first, often taking longer than the artwork itself. ( ② ) She sketches rough thumbnails for an entire chapter before touching a single detailed panel, testing whether the pacing keeps readers scrolling instead of losing interest halfway through. ( ③ ) She also reads every comment section carefully, not to copy what fans suggest, but to understand which moments made readers feel something real. ( ④ ) What surprised me most was learning that a single weekly episode, which takes only a few minutes to read, usually takes her nearly forty hours to complete from script to finished color. ( ⑤ ) Her honesty made me realize that the smooth, effortless feeling of a good webtoon is actually the product of countless invisible decisions.

That simple shift in attitude, from comparison to curiosity, was what finally allowed me to enjoy the exhibition. Every spring, our school holds an art exhibition in the main hallway, and this year I finally submitted a painting of my own. ( ① ) For weeks, I compared my work to my classmates' drawings and felt sure that mine was not good enough to hang beside theirs. ( ② ) My art teacher noticed my hesitation and said something I did not expect: an exhibition is not a contest to find the single best picture, but a chance to show how differently people see the same world. ( ③ ) On the morning the paintings went up, I walked past dozens of styles, from careful realistic portraits to messy, colorful abstractions, and none of them looked like mine. ( ④ ) Instead of feeling embarrassed, I found myself curious about why each artist had made certain choices. ( ⑤ ) Standing in that crowded hallway, I finally understood that the exhibition's real purpose was not to rank the paintings, but to let students discover how many different perspectives could exist in a single shared space.