영어 모의고사 (자동 편성)

On Saturday afternoons, the small square near my house fills with the sound of a street guitarist who sets up his amplifier beside the fountain. At first, I assumed busking was simply a way for musicians to earn a little ①pocket money, but watching him more closely changed my mind. He does not merely play requests; he studies the mood of the crowd and ②adjusts his set list on the spot, slowing down for a tired evening walker or speeding up when children start dancing nearby. Unlike a concert hall performance, a street show has no fixed stage and no guaranteed ③audience, so the musician must win people's attention within the first few seconds or lose them to their phones. This constant negotiation between performer and passerby, I realized, is itself a kind of art, one that depends as much on ④ignoring people as it does on playing an instrument, which is why I now find busking far more ⑤impressive than I originally expected.

Before a single line of dialogue is written for many animated shows, a character designer has already spent weeks deciding how that character should look, move, and be recognized at a glance. A visiting illustrator who spoke at our school explained that a truly successful design should be ①identifiable even as a plain black silhouette, since audiences often ②ignore a character's outline before they notice any facial detail. She showed us early sketches of a now-famous cartoon hero, in which the same personality had been tested through dozens of different body shapes, from short and round to tall and angular, before the final version was ③chosen. Small choices, she added, carry surprising weight: rounded shapes tend to feel friendly and safe, while sharp angles suggest ④danger or power, even to viewers who have never studied design. I left the talk realizing that a character's personality is communicated through its silhouette long before it ever speaks a single ⑤word.

Extended producer responsibility, a policy requiring manufacturers to bear responsibility for their products even after use, has been adopted by governments seeking to reduce landfill waste. Under such schemes, companies must finance the collection and recycling of goods once consumers discard them, rather than leaving municipalities to absorb the cost. Advocates maintain that _______________. Critics counter that the policy, whatever its theoretical merits, often fails to reduce waste meaningfully unless paired with rigorous enforcement and transparent reporting requirements. For instance, some manufacturers merely pass the added cost of compliance on to consumers, without making substantive changes to how products are designed. In contrast, jurisdictions that combine producer responsibility with strict eco-design standards and independent audits tend to witness genuine improvements in recyclability. Therefore, policymakers hoping to harness this approach must resist treating it as self-executing and instead invest in oversight that determines whether producers actually change behavior.

When workers receive a five percent raise in a year when prices have climbed five percent as well, their real purchasing power has not changed at all, yet many still report feeling noticeably better off. (A) Employers exploit this pattern by favoring modest nominal raises over deeper structural adjustments, since a visible increase on a payslip satisfies employees more effectively than an explanation about inflation could. (B) The illusion persists even among people who claim to understand inflation well, which suggests that the bias operates at an intuitive level that formal knowledge does not easily override. (C) This tendency to judge economic well-being by nominal figures printed on a paycheck, rather than by what that money can actually purchase, is known among economists as money illusion.

Scientists have long searched for a way to describe, in a single coherent framework, the outer limits within which human activity can safely continue without destabilizing the planet's fundamental systems. (A) The concept of planetary boundaries, introduced by earth-system researchers, identifies nine interconnected processes, including climate change, biodiversity loss, and nitrogen pollution, each possessing a threshold beyond which abrupt and irreversible change becomes likely. (B) Some philosophers have likened this framework to a ship's safe operating margin, within which passengers may move freely without risking the vessel's stability. Critics, however, contend that the boundaries are drawn with more confidence than the data can support. (C) Unlike conventional environmental limits, often defined locally, these boundaries are framed at a planetary scale, reflecting the idea that the Earth functions as a single interdependent system rather than a collection of isolated regions. Crossing one boundary, proponents argue, does not merely damage the system involved but can also destabilize others, since climate, oceans, and land are bound together by feedback loops that transmit disturbance across the system.

Advocates for the elderly argue that robots should be evaluated strictly as tools that free up human time for human contact, never as a lower-cost replacement for the contact itself. Facing a shortage of caregivers and a rapidly aging population, several countries have begun deploying robots designed to remind elderly residents to take medication, monitor for falls, and even offer simple conversation. ( ① ) Early trials show that many residents report reduced loneliness, particularly when a robot's presence allows a human staff member to spend more time with each patient. ( ② ) Critics, however, worry that this framing quietly shifts the goal of care. ( ③ ) Instead of asking how technology can support human connection, institutions may come to treat a robot's companionship as an acceptable substitute for it. ( ④ ) This risk grows especially large in facilities already struggling with tight budgets. ( ⑤ )

Robert Putnam popularized the concept by documenting a decline in civic participation, noting that fewer Americans joined bowling leagues, parent associations, or local clubs even as bowling itself remained popular, a trend he captured in the phrase bowling alone. Economists traditionally measured a community's wealth in terms of factories, income, or infrastructure, yet sociologists increasingly point to a less visible resource: social capital, the networks of trust and reciprocity that allow people to cooperate for mutual benefit. ( ① ) Communities rich in social capital tend to enjoy lower crime and more effective local government, because neighbors who know and trust one another can coordinate informally without relying entirely on formal institutions. ( ② ) However, social capital is not uniformly beneficial. ( ③ ) Tightly bonded networks can also exclude outsiders and reinforce existing inequality. ( ④ ) For this reason, researchers increasingly distinguish between bonding capital, which strengthens ties within a single group, and bridging capital, which connects otherwise separate communities. ( ⑤ )

It was, I realized, a lesson about storytelling disguised as a lesson about furniture. My grandmother keeps a wooden cabinet filled with tiny furniture, each piece no larger than a fingernail, that she has been building for over a decade as a miniature hobby. ( ① ) When I first saw the cabinet, I assumed the appeal was simply how impressively small and precise the pieces looked. ( ② ) Talking with her while she worked, though, I learned that the real challenge lies in imagining an entire, believable world at a scale the eye can barely process, deciding where a miniature family might set down a teacup or leave a chair pulled slightly away from the table. ( ③ ) She once spent three weekends carving a single tiny bookshelf, only to leave two of its shelves deliberately empty, ( ④ ) explaining that a completely full room would look staged rather than lived-in. ( ⑤ ) That small decision taught me that miniature craft is not primarily about precision, but about convincingly imagining an ordinary life small enough to fit inside a shoebox.

Not everyone in the neighborhood, however, shared that reaction. Walking through the old industrial district downtown, I noticed that a gray concrete wall had been transformed overnight into a wild swirl of color, letters, and cartoon figures. ( ① ) Some residents complained to the city office, calling it vandalism and demanding that workers paint over it immediately. ( ② ) Others argued that the same wall had been an ugly, forgotten eyesore for years, and that the graffiti artist had simply given it a voice no one else bothered to give it. ( ③ ) This disagreement reveals a tension at the heart of street art: without permission, even a skillful and thoughtful piece can be labeled a crime, yet many cities now invite graffiti artists to paint designated walls legally, hoping to channel that same creative energy into something the whole neighborhood can enjoy. ( ④ ) The line between vandalism and art, it seems, often depends less on the paint itself than on who gave permission to use the wall. ( ⑤ )

None of these habits require special skill, only the discipline to follow them every single time. Every summer, lifeguards repeat the same warnings to swimmers, yet drowning remains one of the most common causes of accidental death among teenagers. ( ① ) Part of the problem is that danger in water rarely looks dramatic; a swimmer struggling to stay afloat often makes little noise and shows no obvious signs of panic, which means bystanders may not realize help is needed until it is too late. ( ② ) Rip currents present a particularly deceptive threat, since the water's surface can appear calm even while a powerful current pulls a swimmer steadily away from shore. ( ③ ) Experts advise that anyone caught in such a current should swim parallel to the beach rather than struggling directly against it, since fighting the current head-on quickly exhausts even a strong swimmer. ( ④ ) Simple habits, such as swimming near a lifeguard station and never entering the water alone, dramatically lower the risk of a minor mistake turning into a fatal one. ( ⑤ )