영어 모의고사 (자동 편성)

Many readers assume that once they finish a book, there is no reason to open it again. Yet teachers who study reading often ①disagree, arguing that a second reading can reveal details a first reading ②misses completely. During a first reading, most of a student's attention goes toward simply following the plot, ③wondering what will happen next. Once the ending is already known, a second reading frees the mind ④notice smaller things, such as a clever hint the author placed early in the story or a change in a character's tone. Teachers therefore encourage students not to rush toward new titles alone, but to occasionally return to a book they already ⑤loved, since a second visit often teaches more than the first.

Many students imagine a librarian simply ①sit behind a desk and stamping books. Ms. Han, who has worked at a school library for over ten years, says that image is far from accurate. A large part of her job ②involves choosing which new books to buy, based on both student requests and current trends in youth literature. She also spends hours training students to search databases and judge whether an online source ③is trustworthy, a skill she considers just as important as reading itself. According to Ms. Han, the most rewarding moment is not organizing shelves but watching a student who once avoided reading finally ask for a second book in the same series. She admits that budgets are often tight and that new technology keeps ④changing how libraries operate. Still, she insists that the core purpose of her job has never ⑤changed.

Child safety experts now argue that this advice is too simple ①to be useful, since most children will inevitably need to interact with unfamiliar adults, whether asking a store employee for help or greeting a new neighbor. A more effective approach focuses on specific situations rather than people in general, ②teaching children to recognize behavior that feels wrong, such as an adult asking a child to keep a secret from parents. Role-playing these scenarios in advance ③helps children respond quickly under pressure, rather than freezing because the situation feels unfamiliar and confusing. Experts also emphasize that children should be taught they will never get in trouble for ④refusing an adult's request or for loudly saying no in public, since hesitation ⑤causing by politeness can cost precious seconds in a genuine emergency.

Safety signs surround us so constantly, from a yellow diamond ①warns of a curve ahead to a red octagon commanding a full stop, that most people stop consciously reading them soon after learning to drive. This is precisely the outcome that sign designers hope ②to avoid, since a sign that requires careful thought to interpret in an emergency has already failed at its purpose. Colors and shapes are chosen deliberately rather than randomly: red almost universally ③signals danger or prohibition, yellow signals caution, and green marks safety. Symbols replace text wherever possible for the same reason, ④allowing a running figure or a flame icon to communicate instantly to someone who may not speak the local language. Ignoring a familiar sign because it has become part of the background remains one of the most common and ⑤preventable causes of accidents in public spaces.

Psychologists have long wondered whether reading fiction can change how people treat others in real life. Several studies suggest that novels which describe a character's inner thoughts in detail can train readers to imagine what other people are feeling, a skill closely related to empathy. When readers follow a character through difficult choices, they practice stepping into someone else's perspective without any real risk to themselves. This kind of mental practice, researchers argue, can carry over into everyday situations, meaning that _______________. Not every book produces this effect equally, however, since stories focused only on fast action appear to build empathy far less than stories that slow down to explore emotion.

Picture books are usually written for young children, but a growing number of adults are picking them up for themselves. At first glance, a picture book seems too simple for someone who has already learned to read long novels. However, many picture books deal with serious themes, such as loss, fear, and change, using only a few carefully chosen words, which means that _______________. This slower pace can feel calming for adults who are used to rushing through long articles and constant notifications.

Every spring, our school holds an art exhibition in the main hallway, and this year I finally submitted a painting of my own. For weeks, I compared my work to my classmates' drawings and felt sure that mine was not good enough to hang beside theirs. My art teacher noticed my hesitation and said something I did not expect: _______________. On the morning the paintings went up, I walked past dozens of styles, from careful realistic portraits to messy, colorful abstractions, and none of them looked like mine. Standing in that crowded hallway, I finally understood that the exhibition's real purpose was not to rank the paintings, but to let students discover how many different perspectives could exist in a single shared space.

Walking down a crowded street while staring at a phone screen has become such a common sight that it barely draws attention anymore, even though the habit turns a pedestrian into one of the least alert people on the sidewalk. (A) Hospitals have reported a steady rise in injuries linked to distracted walking, ranging from minor scrapes after tripping over a curb to serious collisions with moving vehicles at intersections. (B) Researchers who study attention describe this as a kind of tunnel vision: a person absorbed in a text message or a video processes only a narrow slice of the surrounding environment. (C) What makes this danger especially difficult to address is that pedestrians rarely recognize the risk in the moment; unlike distracted driving, which is widely condemned, glancing at a phone while crossing the street still feels like a harmless habit.

The cell then acts as a temporary factory, translating that instruction into an actual protein without ever altering the cell's permanent genetic code. For decades, most vaccines worked by injecting a weakened or inactivated version of a pathogen, coaxing the immune system into recognizing an enemy it had never truly fought. ( ① ) mRNA vaccines take a fundamentally different route, delivering only a short genetic instruction wrapped in a protective lipid capsule, one that tells the body's own cells how to manufacture a single harmless piece of a virus's outer surface protein. ( ② ) Once those cells display the fragment, the immune system learns to recognize it as foreign and builds a defense, without ever having encountered the actual pathogen. ( ③ ) Because the vaccine contains no live virus and cannot alter a cell's own DNA, developers can redesign the genetic instructions within weeks whenever a pathogen mutates. ( ④ ) This is far shorter than the years-long process required for traditional vaccines. ( ⑤ ) This speed, first proven on a global scale during a recent pandemic, has convinced many researchers that the same platform could eventually be adapted to fight diseases far beyond infectious illness, including certain cancers.

It was, I realized, a lesson about storytelling disguised as a lesson about furniture. My grandmother keeps a wooden cabinet filled with tiny furniture, each piece no larger than a fingernail, that she has been building for over a decade as a miniature hobby. ( ① ) When I first saw the cabinet, I assumed the appeal was simply how impressively small and precise the pieces looked. ( ② ) Talking with her while she worked, though, I learned that the real challenge lies in imagining an entire, believable world at a scale the eye can barely process, deciding where a miniature family might set down a teacup or leave a chair pulled slightly away from the table. ( ③ ) She once spent three weekends carving a single tiny bookshelf, only to leave two of its shelves deliberately empty, ( ④ ) explaining that a completely full room would look staged rather than lived-in. ( ⑤ ) That small decision taught me that miniature craft is not primarily about precision, but about convincingly imagining an ordinary life small enough to fit inside a shoebox.